For example, if you’re simultaneously working on adjusting effects as you edit, close all your windows except for the project timeline, preview monitor, and effects control panel. Close any unneeded windows or tabs and move around all your editing controls until you find the best configuration for your editing style.
Secondly, organizing your workspace should be considered as another essential recommendation. Continue this process until you’re completely satisfied with your edit. On the second pass, start to work on the timing for each cut. For instance, on your first pass, watch everything you have in the timeline and make your preliminary cuts (taking out your bloopers). Rather than just randomly making edits as you go, you could try to run through your entire timeline with one goal each time, and then repeat the action once you’re done. While video editing is a relatively new for the platform, there are many users out there who have already shared a ton of useful information regarding this particular functionality, including seasoned colorist and avid Resolve user Casey Faris who outlines his personal tips on faster video editing in DaVinci Resolve 14 in the video below.Ĭasey’s first piece of helpful advice is to edit in passes. Apparently, there is a fast-growing base of professional video editors and enthusiasts alike who are now starting to use the software more and more frequently, not just for color grading, but as a full-fledged non-linear video editor in place of already well-established applications such as Premiere Pro CC and Final Cut Pro X. Even though it initially became widely-known as a professional color grading software, DaVinci Resolve has come a long way in the recent years with its constantly expanding feature set and quickly advancing range of capabilities.
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